Skip to main content
Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mrs Woods and ‘Ere
Mrs Woods and ‘Ere
Mrs Woods and ‘Ere

Mrs Woods and ‘Ere, 2013

Karla Dickens
Portrait, inkjet print on paper

Purchased 2019

Mrs Woods
Mrs Woods
Mrs Woods

Mrs Woods, 2013

Karla Dickens
Portrait, inkjet print on paper

Gift of the artist 2019. Donated through the Australian Government's Cultural Gifts Program.

Charles Dickens, 1839 Daniel Maclise

Charles Dickens

Daniel Maclise
Image
William Shakespeare, c. 1600-1610  associated with John Taylor

Shakespeare to Winehouse

Icons from the National Portrait Gallery, London
Previous exhibition, 2022

From Shakespeare to Winehouse, Darwin to Dickens, the Beatles, Brontë sisters and Beckham, the National Portrait Gallery London holds the world’s most extensive collection of portraits.

Moby Dickens, 2022 Blak Douglas (Dunghutti, South-east region)

Why portraiture?

Magazine article by Blak Douglas, 2023

Blak Douglas reflects on his experiences, process and motivation for making portraits.

Copeman, gardener, Great Yarmouth by John Dempsey

Dempsey's people

A folio of British street portraits 1824–1844
Previous exhibition, 2017

Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.

The Brougham

The Brougham

Beards

A philosopher-style of beard – thick and lengthy; a greyer, hence wiser version of the Burke; and suited to older men who saw themselves as sagacious or statesmanlike.

Beadle, Winchester, 1823 by John Dempsey

Beadles, bellmen and bumbles

General content

For Dempsey’s people their occasional encounters with state power would have been largely through the local parish, which administered the ‘Old Poor Law’.

Lord John Russell
Lord John Russell
Lord John Russell

Lord John Russell, 1844

Samuel Bellin after Thomas Heathfield Carrick
Portrait, mezzotint on paper

Collection: National Portrait Gallery
Purchased 2014

The National Portrait Gallery's 20th birthday party

The National Portrait Gallery's 20th Anniversary

About Face article

Last month we marked the twentieth anniversary of the formal establishment of the National Portrait Gallery, the tenth of the opening of our signature building, and the fifth of our having become a statutory authority under Commonwealth legislation.

Charles Joseph La Trobe
Charles Joseph La Trobe
Charles Joseph La Trobe

Charles Joseph La Trobe, 1853

Thomas Woolner
Portrait, cast bronze relief medallion

Purchased 2006

Thomas Woolner

The 1850s to the 1880s

Mo and beard timeline

The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.

Edward Paine Butler

Poison pen

Magazine article by Michael Desmond, 2010

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Billy the match man, Liverpool, 1844 by John Dempsey

Rare Set of Watercolour Paintings on Display for the First Time

15 June 2017
Archived media releases 2017

A rare and enchanting collection of 52 portraits of British street people will be on display for the first time in the National Portrait Gallery’s winter show, Dempsey’s People: a folio of British street portraits 1824-1844.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Shakespeare to Winehouse: Icons from the National Portrait Gallery, London

Announcing Shakespeare to Winehouse

24 November 2021
Archived media releases 2021

More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.

Sir Sidney Kidman

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Sunset in the drawing room at Chesney Wold by Hablot Knight Brown

Portraiture in a Bleak House

About Face article

It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.

Charles Summers

The importance of being bearded

Magazine article by Joanna Gilmour, 2012

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

image not online

Portrait Donors

Listed by year
Honour board
Martin Sharp

Oz and beyond

Magazine article by Diana Warnes, 2007

Martin Sharp fulfils the Pop art idiom of merging art and life.

Bee Miles

Good, bad and the ugly

Magazine article by Michael Desmond, 2007

Michael Desmond explores what makes a portrait subject significant.

The Cutmear sisters, Jane and Lucy, c. 1842

A man of superior attainments

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency